Works of Wysten Hugh Auden
1. Poems 1928-1933
2. The Orators 1932
3. Look Stranger ! 1936
4. Another Time 1940
5. New Year letter 1941
6. The Sea and the Mirror 1944
7. For the time Being, A Christian Oratorio 1945
8. The Age of Anxiety 1948
9. Collected Shorter Poems 1950
10. Nones 1951
11. The shield of Achilles 1955
12. Homage to Clio 1960
13. About the House 1966
14. Collected Longer Poems 1968
15. Secondary Worlds Memorial Lectures on Eliot 1969
16. City without Walls 1972
17. Thank You, Fog 1972
in the nineteen- thirtees WH auden became the leader of a group of poets with pronounce community learning. his poetry is usually based on social and personal problems. since his migration to America, his poetry has a mystical theme and his later poems have a religious theme.
Auden's early poetry shows the influence of both Marx and freud. one of his famous line is "we must love another or die". the poets with whom he was influenced are Hardy, Yeats and Eliot.
some of his poems had speech rhythms played off against strong stress patterns learnt from Hopkins and Anglo Saxon Literature. in his poems after 1940 speech and prose rhythms prevail.
2. The Orators 1932
3. Look Stranger ! 1936
4. Another Time 1940
5. New Year letter 1941
6. The Sea and the Mirror 1944
7. For the time Being, A Christian Oratorio 1945
8. The Age of Anxiety 1948
9. Collected Shorter Poems 1950
10. Nones 1951
11. The shield of Achilles 1955
12. Homage to Clio 1960
13. About the House 1966
14. Collected Longer Poems 1968
15. Secondary Worlds Memorial Lectures on Eliot 1969
16. City without Walls 1972
17. Thank You, Fog 1972
in the nineteen- thirtees WH auden became the leader of a group of poets with pronounce community learning. his poetry is usually based on social and personal problems. since his migration to America, his poetry has a mystical theme and his later poems have a religious theme.
Auden's early poetry shows the influence of both Marx and freud. one of his famous line is "we must love another or die". the poets with whom he was influenced are Hardy, Yeats and Eliot.
some of his poems had speech rhythms played off against strong stress patterns learnt from Hopkins and Anglo Saxon Literature. in his poems after 1940 speech and prose rhythms prevail.
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